A side-by-side comparison of the Isleworth Mona Lisa (L) and the Louvre’s Mona Lisa in Geneva on Sept. 27, 2012.
New tests appear to have confirmed thatthe Isleworth Mona Lisa — a painting thought to be an earlier version of Leonardo da Vinci’s famous portrait — is indeed authentic, reportsthe Guardian.
The tests, including one by a specialist in “sacred geometry” – the geometry used in the planning and constructing of religious structures – and one by the Swiss Federal Institute of Technology in Zurich, were carried out after the Geneva unveiling of last September.
According to a carbon-dating test by the Zurich Institute, the canvas of the Isleworth painting dates to somewhere between 1410 and 1455, refuting claims that it was a late 16th century copy, the Huffington Post reported. , which appears to depict a younger version of the same woman in the Mona Lisa hanging in the Louvre in Paris,
Italian geometrist Alfonso Rubino, who has made extended studies of Da Vinci’s Vitruvian Man, determined that the 15th century Isleworth portrait – named after the London suburb where it was kept by British art connoisseur Hugh Blaker early in the last century – conformed to Da Vinci’s basic line structures, the Guardian said.
According to the Independent, David Feldman, vice-president of the Mona Lisa Foundation, said, “When we add these new findings to the wealth of scientific and physical studies we already had, I believe anyone will find the evidence of a Leonardo attribution overwhelming.”
The Islesworth Mona Lisa appears to depict a younger version of the same woman who appears in the Mona Lisa that hangs in the Louvre Museum in Paris. That painting, which has hung in the Louvre for more than three centuries, is believed to have been painted between 1503 and 1506. It was long thought to be the only extant version of Da Vinci’s portrait of Lisa Gherardini, also known as Lisa del Giocondo. However, brush-stroke analysis conducted by U.S. physicist John Asmus last September sprouted rumors that the Isleworth and the portrait in the Louvre were painted by the same artist, the Independent reported.
Leonardo will always attract seekers!
ReplyDeleteComposer Mihail Afanasiev
When I was in Paris 2005, I could not visit the Louvre. But the Louvre came with sound recording equipment, which were kindly provided by the French. Found the "Mona Lisa" and began recording background sound created numerous visitors who came to see the masterpiece. The logic was simple. Allow myself to be noted that any masterpiece has the property of highly structured information field. Man - this is also, at its basis, the field structure. There is a contact of two field structures – human and masterpiece. This is probably the power of art. The sounds published the people who were in the masterpiece (talk, the shuffling of feet, etc.) were very valuable to me, they were correlated associated with him. Subjecting these records complicated transformation process, I managed to get some incredible sound. Many are led into shock - these sounds there is a clear identification with the portrait of "Mona Lisa." Similar records I've made in the famous sculpture of Venus. As a result, based on these records, I had three works - "Knowledge", "Flow" and "Communication".
studiomusicnew.blogspot.com
http://youtu.be/rUDsL8Rg4uo
MONA LISA_VENUS(Опыт работы с шедеврами) .avi
Structure of presented video: sound background at Mona Lisa – result of transformational processing of a background, a sound background at Venus – result of transformational processing of a background, a work “Knowledge” fragment (the transformed sounds are used only).
Full details can be found on my master class
Academia of Music, Kishinev MOLDOVA
(sorry, translated by google)